Trasparenze
Grey
The Trasparenze collection thoroughly researches the creative notion of stratification of colors, geometrical elements and contours that morph into complex, abstract shapes whose intensely decorative value brings stylistic rigor and linearity to all kinds of interiors. Color combinations that define new geometrical patterns, revealing almost three-dimensional shapes. Backgrounds that feature an array of stratifications, overlaps, transparencies, and nuances come to life with novel color combinations that turn pure forms into complex patterns. Made of hand-tufted wool, and measuring 250 x 300cm, 300 x 400cm, Trasparenze carpets are intended for both private interiors and a contract world that is increasingly more demanding in terms of design and quality.
Care & Maintenance
A correct handling and small daily attentions ensure that you may preserve over time the tactile and aesthetic qualities of the carpet. In addition to the quality of the cleaning, which must strictly be professional in case of handmade carpets, there are a number of important recommendations to be made. A few inconveniences may occur soon after first buying a hand-crafted carpet for the first time. Recognizing them and knowing how to deal with them can help you prevent irreversible damage.
Finer and longer compared to common wool, the wool obtained from the shearing of New Zealand sheep has always been widely appreciated in the furniture and clothing business. These yarns can be successfully declined in different colors and decorations, and are used for the making of all Amini hand tufted rugs.Più fine e lunga rispetto alla lana comune, la lana ottenuta dalla tosatura di ovini neozelandesi è da sempre apprezzata nel settore arredo e abbigliamento. Questi filati hanno la capacità di essere declinati in diversi colori e decori, e vengono utilizzati per la realizzazione di tutti i tappeti Amini taftati a mano.
Carlotta Fortuna was born in Vicenza in 1984. She studied at Politecnico di Milano, at the École Nationale Supérieure d’Architecture in Lyon, in Australia at the U.W.E University, and at the Brera Academy of Fine Arts, Milan. After a collaboration with Studio Citterio & Partners, she collaborates with various companies in the field of surface decoration. Since 2019 she teaches CMF at Istituto Marangoni in Milan in Masters “Surface and Textile Design” and “Contemporary Interior Design”.
