Design Icons / Verner Panton

Romantica – Circle

Colour is form and form is colour in this collection that offers six carpets based on Panton’s colour series and the pure geometries of the circle, square, and wave. The Romatica rugs are hand knotted with a slight shag high pile using prime quality New Zealand wool. Square and round carpets, with a motif of concentric frames, are also available in the variant with the inverted colour series. The wave carpets, in two formats, stand out with a purple background.

 

Information +
Dimensions (Cm): 250 × 250
Dimensions (Ft): 8.20 × 8.20
Pile composition: 100% New Zealand wool
Height: 23 mm
Tecnique: Hand Tufting
Origin: india
Finishing: The carpets are hand washed, clipped and carved.
Color: Positive, Negative, Positive, Negative, Positive
Positive
Negative
Positive
Negative
Positive

Care & Maintenance
A correct handling and small daily attentions ensure that you may preserve over time the tactile and aesthetic qualities of the carpet. In addition to the quality of the cleaning, which must strictly be professional in case of handmade carpets, there are a number of important recommendations to be made. A few inconveniences may occur soon after first buying a hand-crafted carpet for the first time. Recognizing them and knowing how to deal with them can help you prevent irreversible damage.

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Designer: Verner Panton

Undisputed symbol of the Undisputed one of the greatest Danish, and internationally renowned designers of the 20th Century.Verner Panton (Gamtofte, February 13, 1926 – Copenhagen, September 5, 1998) made color his expressive tool more than any other designer of the of his time. He traversed the second half of the century illuminating it with his peculiar creative energy, expressed through pure geometric forms, organic lines, and decisive and precise chromatics, studied like mathematical formulas. Alongside iconic and timeless object designs, such as the Panton chair (Vitra) and the Panthella lamp (Louis Poulsen), Panton embraced disruptive research projects, like the Visiona 0 and Visiona II installations, created for Bayer in Cologne (1968-70) displaying an immersive and total conception of interiors.

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